Officinelamour – Italie à l’honneur (Italie)
New exhibitor at Révélations 2025

Laura Pontoni creates timeless accessories, giving shape and expression to femininity. In her atelier in Udine she embroiders, dyes, shapes and models headdresses, silk flowers, brôche, bijoux, which arise from my creativity and from what she has read, seen, experienced.

She brings to her creative work of millinery an approach acquired through her work restoring wall and architectural decors. Just as in the conservation of works of art, in the creation of silk flowers she makes use of the experience of colour, material, harmony of composition, precision and the conscious use of the palette.

Her accessories are a miscellany of fabrics, glass, small brass parts, old pistils for artificial flowers and half crystals: materials that have never been used and have been traveling for decades, which once arrived in her hands and are combined with selected contemporary elements.

Laura Puntillo – Rotary Club de Paris - Association du Viaduc des Arts (France, Paris)
New exhibitor at Révélations 2025

As the first independent shoemaker trained by a Master of Art in France, Laura Puntillo elevates each step with unique creations, combining comfort and refinement. Based in Paris, she crafts bespoke women's shoes that are true jewels of elegance. Each shoe is crafted for those who wish to express their style while embracing a sustainable and planet-friendly fashion approach. She celebrates craftsmanship and authenticity, creating shoes that embody a philosophy of life centered on quality and sustainability. Each custom-made shoe is an invitation to walk with purpose, in perfect harmony between refinement, responsibility, and integrity.

Karl Mazlo (France, Paris)
Exhibitor at Révélations 2019 and 2022

Based in Paris, Karl Mazlo is a jewelry creator and founder of a studio that combines research, innovation, and craftsmanship. His approach blends traditional know-how with contemporary expression to create unique pieces that celebrate material, emotion, and history, while fulfilling the primary purpose of jewelry: to create connections.

Karl Mazlo’s work revolves around two main areas: bespoke creations and artistic collections. Materials such as gold, platinum, and precious stones are carefully selected to create personalized, timeless pieces imbued with meaning. At the same time, Karl Mazlo explores artistic collections that push the boundaries of traditional jewelry. His creations are inspired by architecture, design, and nature, while highlighting innovative materials like raw malachite.

Rita Soto Ventura – Collectif Chilien (Chile)
Exhibitor at Révélations 2023

Chilean designer and artist known for her work in contemporary jewelry, Rita Soto Ventura is internationally recognized for with the traditional technique of horsehair micro-basketry. Since 2002, she has explored this ancestral craft, learning within her family environment and reinterpreting the technique to create new and expressive forms. Her work combines the delicacy of horsehair with contemporary designs, producing pieces of great sensitivity and cultural relevance, redefining this material rooted in traditional Chilean craftsmanship. In 2012, she founded an educational space dedicated to jewelry training, contributing to the professional development of new creators in Chile.
Her research and experimentation have exalted the craft of horsehair microbasketry, integrating this technique into artistic jewelry and consolidating it as a contemporary artistic language, preserving and transforming Chilean cultural heritage.

Mélanie Denis (Quebec)
New exhibitor at Révélations 2025

Stemming from a fusion of contemporary jewelry and visual arts, the work of Quebecois multidisciplinary artist Mélanie Denis explores notions of memory, identity, and connection to a territory. Her creations, combining textiles, earthenware, photography, and metal, form allegories inspired by the natural and constructed landscapes that inhabit her daily life. She mainly focuses on creating unique and custom pieces. A recipient of several awards, she has also had the opportunity to exhibit and give lectures in Quebec, the United States, and Europe.

Ulysse Allanic – Rotary Club de Paris (France, Paris)
New exhibitor at Révélations 2025

Young jeweller recently graduated from the École Boulle of Paris and a scale model making enthusiast, Ulysse Allanic is passionate about the fine craft of working precious metals. With a special affection for the beauty of the natural world, he strives to share his admiration for nature and his wonder for this constant motion world through his jewellery pieces.

He developed a new type of mechanised jewellery that reveals nature's imperceptible growth movements. Thanks to this combination of ancestral savoir-faire, jewellery-making and art mechanics, he created a jewellery piece in motion: the Mérésis Necklace.

Lady Amherst (France, Laval)
New exhibitor at Révélations 2025

Natural feathers, leather, silk thread are the essentials of the Lady Amherst brand created by feather artist Céline Bouriaud. She creates jewelery and artistic master pieces with natural materials, mainly with feather, she works it "free". Her work identity is to combine feather with leather, and differents natural materials as silk, fish leather, wood, linen... She experiments and invents her own technics, melting them with art technics that she learns with fine craftpeople of different professions. Gilders, feather workers, painting restorers, jewellers...

Marion Fillancq (France, Saint-Denis)
New exhibitor at Révélations 2025

Marion Fillancq creates jewelry made with plated bronze, solid gold, sterling silver, and hand carved glass. Inspired by archeology and the first designs, she crafts small series and unique pieces mixing raw and precious styles. For her, ancestral gesture searches are meaningful. Her work is definitely in the midway between art and fashion. Teacher in glassblowing and decoration in Lorraine (Centre Européen de Recherche et de Formation aux Arts Verriers), she studied the flintkannping techniques used by our ancestors to shape 'flints'.She then rediscovered a process that was about to become her own identity. Just as our ancestors carved the stone they picked up, she carves the mirror she finds in the street.

She first worked with archaeologists to carve large glass sculptures, similar to modern-style bifaces, and progressively carved smaller and smaller objects. She studied jewellery (Boulle, 2013), worked for Place Vendôme for a while, then with a jeweller and in the Chanel workshop.